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¡¡¡¡ÕªÒª£º¹ÅµäÔ°ÁÖÒÔ¡°ËäÓÉÈË×ö£¬Íð×ÔÌ쿪¡±È¡Ê¤¡£ÔÚ˽¼ÒÔ°ÁÖÖУ¬Îª±ÜÃâ¶Ô³Æ¶ø²ÉÈ¡½è¾°¶øÔìµÄÔ­Ôò£¬¶øÔڻʼÒÔ°ÁÖÖУ¬ÕâÖÖ¡°×ÔÓÉ¡±Ù²È»Óë»ÊÊÒµÄȨÍþ¡¢×¯ÑÏÊÇÒ»×éì¶Ü¡£±¾ÎÄÒÔÒúÍÔ°ºÍ±±º£ÎªÀý£¬ºÍ̽ÌÖÁËÖйú»Ê¼ÒÔ°ÁÖ¿Õ¼äÖеÄÖáÏߺͶԳƣ¬ÒÔ¼°ÈçºÎ´¦Àí½¨ÖþµÄÌåÁ¿ºÍÐÎ̬£¬ÔÚ²»ÆÆ»µµÄÇ°ÌáÏÂÀ´Ç¿»¯ÕâÖÖ¹Øϵ¡£

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¡¡¡¡Abstract£º Chinese Classical Gardens win with¡°although be do by the person, resembles natural¡±. Private Gardens adopt the principle of with the aid of natural scenery to avoid symmetry. , the¡°free¡±and the imperial family's authorities are contradictory. This article takes the Summer Palace and the North Sea as examples, has analyzed and discussed the question of axis and symmetry in the Chinese Imperial Garden space, and how to process the space occupied and shape of construction to strengthen the relations under the premise of not destroying natural.
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¡¡¡¡Keywords£ºSummer Palace; the North Sea; Chinese Royal Gardens; axis; symmetry

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